About

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My practice begins with things that have been used, handled, corrected, folded, or left behind: artist books, old tickets, practice papers, printed matter, and small technical interfaces. I collect, sequence, fold, write, and test these materials, allowing their traces and unfinished states to remain visible. Across paper, objects, archives, and responsive fields, I am interested in how memory and pressure take form, and how a material can continue to speak after its original function has faded. My current work moves between book-based spatial structures, embodied writing, everyday archives, and interactive fields.