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CURRENT RESEARCH / ARTIST BOOK

Three States of Order

Beijing Order / Dragon-scale Binding

2026 / 15 × 110 cm

An artist book prototype series translating my bodily experience of Beijing’s historical order into three folded states: Placed, Remained, and Opened.

Three dragon-scale binding books shown fully opened in sequence.
Three volumes: A / Placed, B / Remained, C / Opened.

Project

Beijing Order

This project begins with my observation of Beijing as a city structured by spatial, historical, and institutional order. Instead of documenting the city directly, the work reorganises this experience through three historical image systems: The Ten Thousand Longevity Celebration, Rivers and Mountains Stretching for Thousands of Miles, and Wondrous Views of Xiao and Xiang.

The dragon-scale binding is used as a reading mechanism. Through folding, overlap, concealment, and partial visibility, continuous images are transformed into layered structures that must be entered, handled, and reassembled through time.

01

Structure Overview

Overall and detail views of the three dragon-scale binding books.
Three historical image systems reorganised through one dragon-scale binding structure.

02

Three Volumes

SYSTEM A

Placed

Source image: The Ten Thousand Longevity Celebration

Imperial order as ritual, hierarchy, and spatial arrangement.

A / Placed volume shown fully opened.
Based on The Ten Thousand Longevity Celebration, this volume examines how bodies, architecture, and procession are organised into a visible system of power.
Close-up of the A / Placed folded image sequence.
Image fragments and folded sequence.
Close-up of the A / Placed dragon-scale binding structure.
Binding, edge, and layered structure.

SYSTEM B

Remained

Source image: Rivers and Mountains Stretching for Thousands of Miles

Order as remainder, sediment, and spatial continuity.

B / Remained volume shown fully opened.
Based on the mountain section of Rivers and Mountains Stretching for Thousands of Miles, this volume treats landscape as a structure of traces, surfaces, and geological persistence.
Hands holding and opening the B / Remained volume.
Reading as handling and bodily movement.
Angled view of the B / Remained layered folded structure.
Layering rhythm and spatial depth.

SYSTEM C

Opened

Source image / prototype: Handmade dragon-scale prototype

Order as perceptual opening, interval, and temporal reading.

C / Opened volume shown fully opened.
Developed through a handmade dragon-scale prototype, this volume turns the act of reading into a bodily process of unfolding, touching, and reassembling images through time.
Angled view of the C / Opened volume and continuous landscape image.
Spatial reading through a continuous folded image.

03

Reading as Structure

The work is not a travel record of Beijing, nor a redesign of historical painting. It is a material study of how historical order can be folded, retained, and opened again through the body of the reader.